following suit where his 2xlp left off gunnar haslam presents a new ep for l.i.e.s. once again we see haslam find a nice balance between combining samples and hardware in his productions creating moving and atmospheric tracks, which range from slow stripped down soundtrack style cuts to more developed far out techno. mastered and cut by matt colton at alchemy.

we are delighted to welcome up-and-coming hamburg-based producer, simon ferdinand to the landed camp - an artist who is producing some of the finest raw, deep house music out there at the moment! tipped as the rising star of 2014, we are honoured to have simon as one of the landed team and roster. his new ep, back to the raw - as the title suggests - sees simon delivering three original tracks of stand-out, raw vibe. already moving dance floors across the globe and gaining support from notable djs such as norm talley, rick wade, gari romalis, alton miller, santonio echols, moodymanc, varoslav and jon reynolds

squarehead is the latest young producer to sparkle on shabby doll, with his *bats & stuff* ep delivering yet more bump and wallop for the discerning house head. otherwise known as oliver ledger, squarehead is possessed of a precocious talent – his debut *keep it moving* ep on bad taste was a juno download number one, while his records have won hard-earned airplay on radio one thanks to supporters like toddla t and skream – and with dj appearances across europe plus his own 5andseven label, he is right at the heart of sheffields current underground scene.

release no.2 on nofitstate sees matthew styles taking over the reigns the signals ep is a varied beast as youd expect from one of the most distinguished and versatile producers of the last couple of years. signals kicks things off, a beautifully effortless flowing groove with on-point percussion and subtle elements that keep things moving perfectly. lucky keeps the vibe nice and deep, a razor sharp snare imbuing the track with a sense of energy whilst codex leans toward melody with it s pitch perfect arpeggiated motif dominating proceedings. gesopik console rounds the ep off nicely with a nod to nu-disco energy.

paragram is now on to its fourth installment, and gladly welcomes a new member to its family, michael melchner. after several releases on respected labels such as love letters from oslo, moon harbour, cargo edition and eklo, the talented berlin producer now announces his 12inch debut on paragram. the ep, composed by three tracks, each one complementing the others, is a combination of futuristic beats, deep hypnotic basslines and slick glitchy percussions moving in and out of the arrangement.

a column of bull ants moves across the rain forest floor, constantly moving limbs shift like the tidal flow of a river. each carries a large bright leaf in its mandibles maybe twenty or thirty times its size. the column swerves around a tendril-like air duct that services a chamber below. one strays too close and slips down still carrying its leaf. it flies down the air pipe and is projected into the interior of an anechoic chamber. beads of sweat ooze down bintus grizzled brow as he continues experiments into noiseless ultra bass. if applied correctly this acoustic energy can have devastating effects.

three slices of lush from russia with love. the original track, described by mixmag as *a cross between phoenix and empire of the sun*, gets heavy treatment from swiss future classic and kitsune&#769,,,,, heroes pharao black magic, who delivers a pounding yet hypnotic, bass-heavy mid-tempo tune. lovemonk darlings space ranger keep it equally hypnotic, but bring back the speed and embed the melancholic vocals in some uplifting, moving yet club-banging sounds.

keeping up this memento, robert hood delivers these two new cuts of pulsating, body-moving techno with that classic, deep and minimal hood sound.

heavy moving rhythms and interwoven throbbing modulations guide you through dance floor euphoria

limited vinyl edition with album cd! incl remixes by kollektiv turmstrasse, matthias meyer & patlac, dub taylor. the cosmic cowboys project was born in 2008 from the different styles of twoyoung venetian artists, nicola sansoni aka randomatique and kaled jabariaka kaledj. for >zero gravity love< their first album which will be released on musik gewinnt freunde, collaborations with talented musicians and singers from all over the world were made. it defines a mixture with their well-known emotional, groovy and new dub and electronic structures. the result is nothing that can be named into a specific genre but a mix of all their influences reshaped into the new sound of cosmic cowboys that they like to call >the version 2.0 of ourselves<. but there is more to it than that. if you still havent noticed yet we also have the 3 fabulous remixes with us, which fit best together with the album. dub taylor, matthias meyer & patlac and also kollektiv turmstrasse did their very best and created something new. >zero gravity love remixes< is the perfect match and absolutely ready for the dance floor. dubby, hypnotic, playful, moving, and last but not least, music made with much love. give it a listen now!!

neil landstrumm returns to dont with a collection of some of his finest and most groundbreaking tracks from the tresor era of the mid to late 90s… also included is an alternative version of tension in new york, made at the same time but never released. what with the current resurgence in real techno, the time is right to show the kids of today, what was going on in the 90s and how it still freaks the frame and gets the dancefloor moving all these years later!

a-sun amissa is a project formed out of leeds, uk in 2011 by members of glissando and the rustle of the stars. built on the foundations of the unknown, a project that encompasses minimalist drones, modern-classical movements and avant-garde tendencies. richard knox (glissando, the rustle of the stars, of thread & mist) & angela chan (glissando, the rustle of the stars, tomorrow we sail) began forming the initial ideas in the autumn of 2011, moving away from the piano-led ambience of previous outputs.
limited edition of 300 copies, download code included.

these two k-fighters return, this time, on their own label marvin & guy records with one sided hypnotic and trippy 12 minutes disco dubb mixx. do you know when people dancing in the early morning with closed eyes just moving the head in front of the dj booth ? this is perfect for that kind of situation, also if you are thinking to eat a bats head. mind guys ... they fight, no lies!

church follow on from their hugely successful debut release of lorcas faith evans refix late last year (church000), with the launch of their new side project church white. this sub label will focus more on the melodic side of the spectrum, decidedly not shying away from the use of a vocal sample. moving on from its bootleg debut (church000), church white will also be the home to edits and original productions. the first release comes from co-founder seb wildblood whom recently released on kerri chandlers much loved imprint madtech records.

nice price deal !!! after ugur projects great success on subotnik, the ostwind guys presents another 2 track 10inch weapon from this sympatic turk based in istanbul. diren & gezi are two tracks made for the dj and the crowd. diren comes with his deep moving bass and nice minimalistic clicking heads which reminds us on the up to date mini tech sound. the hook of gezi speeks for itself, combined with a forward going groove, this track was made to rock! a great new spezi, without many rethoric, just to the point.

another french producer on local talk? yes, you are damn right. let us welcome max fader aka s3a (sampling is an art) to the family. we have been keeping an eye on this talented producer who has been making waves with his massive releases on phonogram, hold youth and 4lux. sleepless 909 and intensity are great examples of s3as tightly spliced works of wonder. disco and funk fueled loops paired together with slammin hi-hats and organ stabs. does it kick? hell yes! this 10 inch will keep any party moving. local talk is talking to you!

part 2 of the ep kicks off with *domino* a track thats bassline drones underneath its own distinctive synth line to keep the drums rolling along steadily. the title track *black leather* is everything you would expect in a drumcode record, a subtle throbbing bass line which, keeps the track moving before the synth stabs enrapture the track and twist it into a dark, throbbing composition

we are back with the second vinyl edition solid ep this time we have istanbuls finest techno dub master and co-founder of sublime porte, ismail genc (havantepe, raw, devante) he provides us with 2 original track and we have two amazing remixes from saso recyd and s.eelzi.
the original tracks solid and east are a perfect mixture for, ranging between gently moving sounds, pulsating structures, deeply touching melodies, playful minimalism, and proper dub techno ... the remixes maintained their focus on the dancefloor, every version has its own special touch recyds version could be described as harmonious tech-house, creating a special mood with lots of synths and strings. headhoncho elezi created a rhythmic remix with shuffle beats melodic baseline wicked groove that will work in any peak time.

with previous releases on influential labels hotflush, aus and hypercolour, george fitzgerald has joined a new home, signing to domino offshoot double six. kicking off his inauguration is new single i can tell (by the way you move), a house cut which set the 7.000+ strong crowd at ushuaia in ibiza moving last week as he went back to back with radio 1s pete tong, a relationship that kicked off earlier this year with georges radio 1 essential mix.

murphy jax delivers a fresh full length lp entitled *teleport: echo city* via the frankfurt based chiwax imprint.
murphy jax, over the past few years, has been steadily building up a back catalogue of solid electronic workouts. delivering content for the likes of clones jack for daze series, hypercolour, exploited and turbo,jaxs style meanders through a variety of styles, ranging from low-slung, chuggy grooves through to straight up chicago inspired house rhythms, always keeping the production intriguing and melodic. here murphy joins the chiwax roster (a sub-label of rawax, also running the dubwax and housewax labels), alongside heavy hitters like gemini and perseus traxx.

darkside is the collaborative duo of guitarist/composer dave harrington and electronic producer nicolas jaar. darkside summon a hybrid of electronic music, psychedelic rock, and dancefloor techno with the sort of artistic depth and breadth for which the term progressive was coined. darksides first fulllength album-released on nicos own other people label in conjunction with matador records-is called psychic. darksides psychic is a watershed moment for the duo, a quantum leap forward from their 3-song debut, 2011s darkside ep. at any given moment, psychic encompasses the ritualistic structures and methodologies of krautrock, the cosmic exploration of classic space-rock, and the immersive, body-moving transcendence of 21st century house and techno-but, working with the finishingeach- others’-sentences fluidity of kindred spirits, dave and nico synthesize it all into a living, breathing whole.

killekill 014 is being delivered by alex cortex. on the a-side hyperfocus combines a heavily distorted kickdrum with uplifting trance chords and a breakbeat feeling as if this was the most normal thing in the world. the result is an outstanding anthem that can be used on all floors, whether they are techno, house or breakbeat.by force of attrition is a typical alex cortex-track, driving and static at the same time, slowly moving, hypnotic and deep. the b-side features a remix of hyperfocus by skudge. the swedish duo recently released an ep of alex cortex on their label skudge presents and in return remix this track here for killekill. they extract the breakbeat sounds of the original and use them for a warm minimalistic house tool driven by a smacky wooden snare.

first release for the newcomer athens based recording label lower parts. tendts first ep slow years is a musical journey. a journey full of disbelief, experimentation and questions. nostalgic in the beginning, with slow chopped up beats, samples that play their part right by creating an atmosphere and suppressed bass that lie hidden in the back. as we come one step closer to reach the end of our journey the landscape starts to transform. the sound becomes a bit more static with intense need for self-criticism. melodies start moving spasmodically full of errors in a faulty random route. stacked on top of each other, they are trying obsessively to keep up with the flow until they reach climax, if they will ever do. 200 pieces cut / hand stamped labels in a printed recycled fine carton. artwork by tendts

brad peterson, the talented producer from edimburgh, uk, creates a groove-laden atmosphere in its beats and a wholly mental climate with deep pads and chords, with fabulous energetic tension. in the other side banfield audio plays with hypnotic analogues basslines and deep sounds of pads, without stopping moving into the depths with its earth heart.

lab.our musics second release showcases more home-grown talent with 2 tracks by up and comer maxwell church. as a founding member of toronto techno night the deep north, max already has releases under his own name and as one half of the hermans, but this marks his first release on vinyl. lab.our 02 offers 2 raw techno tracks in one day and twizzled. one day is a late-night stomper, moving in and out of changing synth patterns while twizzled is an acid workout that changes up when synth stabs come in the middle of the track.

guerrilla soul is amir alexanders deeper alter ego. his first official release under that moniker is a tribute to elizabeth short, the black dahlia. she was a victim of los angeless most notorious unsolved murder back in the late 40s. deep, dark, moody, and emotive vibrations evoke a feeling of wistful melancholy. amir comes with 2 different perspectives of the same theme one on each side of the record. rhythmically moving with lush pads and a minimalistic, yet succinct bass line. deep and super deep are the flavours du jour

3 tracks to keep things moving during the fall months: *cause* is a bass heavy gem. *effect* is adames interpretation of chicago jack tracks. *repercussion* is a dark almost sterile track leaning heavily on the techno side.

killekill 014 is being delivered by alex cortex. on the a-side hyperfocus combines a heavily distorted kickdrum with uplifting trance chords and a breakbeat feeling as if this was the most normal thing in the world. the result is an outstanding anthem that can be used on all floors, whether they are techno, house or breakbeat.by force of attrition is a typical alex cortex-track, driving and static at the same time, slowly moving, hypnotic and deep. the b-side features a remix of hyperfocus by skudge. the swedish duo recently released an ep of alex cortex on their label skudge presents and in return remix this track here for killekill. they extract the breakbeat sounds of the original and use them for a warm minimalistic house tool driven by a smacky wooden snare.

bosq y orquesta de madera is the much anticipated full length debut album by bosq from whiskey barons. on the heels of his three well-received 12inch singles, the album delivers on the promise of a well-rounded and killer collection of afro, house, latin, soul and disco tracks with the intention of keeping bodies moving on the dancefloor.

a beautiful, hand-drawn, 140-gram 4xlp, heavyweight package in a cross-shape including cd. one time pressing of 500 copies worldwide. the follow-up to highly acclaimed ideas from the pond album.

with over a dozen years in music under his belt and a lengthy discography that includes eight full-length albums and numerous eps and remixes, deepchild is a producer who needs no introduction. from australia before it was a destination of note on the electronic circuit, his early music experimented with dub, broken beat, and other ideas. after moving to berlin to be closer to the pulse, his sound has shifted towards house, but audible echoes of the earlier influences remain. caduceus records happily offers him our latest release, with two contrasting original efforts accompanied by remixes from mrsk and lad

jessy lanza s debut album *pull my hair back*, co-written and co-produced with jeremy greenspan from junior boys, is a 2013 flagship for what electronic pop could sound like, stripped of bloated, behaviourist impulses that treat listeners like lab rats. it is graceful and erotic without the gratuitous close ups, icey and sensual, sweet without rotting your teeth, emotional but with enough blue glow to pull your heart strings. jessys voice flutters through the synths seductively, insistent without the over-singing and grating choruses that plague so much contemporary pop. jessy lanza has a background as a singer and skilled piano scholar, and the duo share a mutual love of collecting the old hardware synths and drum machines that grace this collection of songs. transecting r&b, house, disco and 80s studio rock, the production is immaculate, reminiscent of early junior boys, treading that fine line between cold futurism and the r&b that jessy and jeremy are infatuated with.

die bandbreite der zwoelf songs reicht von frickeliger indie elektronik, angereichert mit spaßigem geraeuschchaos, über poppig-housige minimal tracks mit ear-catcher-hooks bis hin zu sensiblen singer-songwriter miniaturen und aetherischen athmos. die beats – ob housig oder als rockig angehauchtes live-schlagzeug eingesetzt – sind niemals nur funktionaler natur. sie fühlen sich immer ganz dem song verpflichtet. in eine schublade pressen laesst sich in a manner of sleeping nicht – eklektizismus und ploetzliche ueberraschungen durchbrechen jedes genrekorsett.

12inch with printed inner cover sleeve! the stl project continues on another dope something vinyl pressing that will take care for shaking bodies and overt minds in order to feed you with stellar emotions and the need for moving your bodily parts. this cosmic transmission comes in a typical stl manner with dirty raw cruising beats and infectious scoring synth activities, ranging from freaky danceabilities to more relaxed and groovy house coolness in all maniac beauty. something for your heart and bones.

nixwax are proud to announce the first in the new series of black and white label releases from up and coming producer and nixwax label co-founder, rob amboule. fresh from the success of his release on 2020 vision, with pushin on and kerri tearing up dancefloors from london to ibiza, rob amboule brings who knows? home to his own label to launch the new vinyl only series. pressed exclusively on heavyweight vinyl, this record always gets the floor moving and is a guaranteed party starter. there are big things to come from rob so dont miss out on his first vinyl only release.

special nice price action
- deep moving techno/electro tracks for partyminded crowds. limited available whitelabels with handstamped releaseinfo on labelcopy. support by all the big techno jocks suach as andre galuzzi, karotte and josh wink plus loads of others.

first up sees the new methodology track in full on dance floor assault mode - serious break-fuelled techno with rolling drums, off beat funk elements and big stabbing chords moving in and out of fx laden atmospheres at a fairly furious pace. the b side introduces yet another incredibly talented producer from the iridite stable - mike singleton is a regular dj at glasgow s internationally famous monox club as well as being one of the chief tech-heads and all round music know-it-alls at rubadub records. his track here will appeal to anyone who likes to be genuinely shaken up by a track - it s got the lot - cutting edge production techniques, heartfelt melody, intricate and complicated programming, bassline turning and twisting almost inside out, fantastic fx, but most of all >the funk<! methodology round things up with another mutant house/techno hybrid track - all shuffly percussion, filtered samples and a mournful, string laden climax, layered with weird bleep-ing riffs and super-sub bass

heavyweight soul providers fat freddys drop are about to take flight once again with the worldwide release of new album blackbird.

vinyl only. 180 gramm. behind studio r there is the identically named internet tv station from berlin. the new label took the task to document the modern club culture on vinyl which will release only split eps featuring, alongside famous names also new talents. the first ep presents fred p & eric cloutier from new york and anton kubikov & korbalove from moscow. perfect deep for summer 2013.

after cooperating with other dj s, metacid decided to go back to basics. this 6th release is a true acid experience !! on the a-side expansion just keeps on banging your head with the two 8-steps 303 basslines !!! the clap cuts right trough and the wicked synth turns your head around. this will certainly keep the dancefloor moving. there would be no metacid release without a track fully packed with acid. this track on the b-side alters different beautiful basslines and has a deeper and more progressive feel to it. saur is the last but certainly not the least track on this release. with the acoustic percussion and the strings this track tells a nice story and is perfect for the beginning of the evening.

for the fifth release on roots for bloom, michael james delivers 3 bumping cuts of very much dance floor orientated music. the opener infinite state gets you moving straight from the off with some edgy stabs and serious groove. high roller carries on where the a1 lets off upping the tempo but maintaining the direction. the b side freeze is a more techno influenced track, but still hold that underlying groove.

four up-and-coming artists appear on shag edits volume 2 which is kick-started by rebels *you somebodies*, a bassy piece of looping filter house meant for peak time play. newcomer riri throws down jazzy horns, marching snares and acoustic rimshots in a slow moving *get it on*, while chockys *i like* features cut vocals caught between interchanging melodies of pulsating rhythms. jamie trench, responsible for the labels first ep, delivers sexy vocals in *locks, frocks & 2 floating sparrows*, a laid back disco joint with the same summery vibe as barmy miami night.

a bunch of bubbling uk deep house players line up on introducing newington, a new label of the same name that is clearly fond of the n16 postcode with vocal house on the menu. ejeca, the irishman earmarked as the next bicep, keeps up his relentless form this year with the opening track robodrum which is a playful shuffling little house number that rotates between stabbing vocal samples and piercing chords. moving south of the irish border, dublin based frank b kills it with trieste a wonderfully warp cut that sounds like it has been recovered from a dust filled dat tape. london types jack fell down take a cleaner, but no less infectious approach on for you whilst midlands type tom flynn rounds it out with the deep and bouncy going on.

a one sided vinyl-only-release with the usual moving sound sidney is famous for.

nice price deal !!! finest minimalistic groove & kick monsters! only for djs. the colombian duo jose m. & tacoman have recorded on top labels like material, area remote and sphera records and have written three tracks for trapez ltd now. >what are you watching< is a tricky traxter with a cool swing programming to keep you happy on your feet and moving. this is very much a beat track but has an outstanding groove that makes it so special. raw and streetwise it makes sure things are always going fine. one of these tracks that are loose and tight at the same time. a perfect alliance.>warehouse< seems at first less funky but convinces with an hypnotic aspect and a congenial feeling to it. >kick this< is similar to >what are you watching< a strong groover with sounds in the background and a catchy vocal line. all three tracks are cool and perfect for groove addicts.

cavaan is the alter ego of a rather well known berlin producer and his fellow from milan. the duo debuts with their very much loved project. they feature a studio-recorded wonderful vocal on this hypnotically modern percussive house affair titled black snow. the original track grooves on some free swinging retro percussions and beats from the 80s machinery and a softly moving house-beat making this a very subtle killer for any dancefloor. while the vocals carry the track as light as a feather it is after the breakdown that things get really musical - you will hear yourself while listening the melodies and sequences. for the remixes turdjr has aligned a high-quality and diverse array of a current top producer. one of heidelbergs coolest kids on the block, lopazz knows that every track gets better with a lot of handmade music-and he sure is right in his interpretation of black snow. last not least i is under on the flip which is one of these tracks that sucks the listener in so deep that there is simply no escape: repetitive yet constantly changing and constantly grooving while remaining very pure! this release is filled with tracks that will long echo on the dancefloor!

180gram vinyl-only, limited to 225 copies! grounded in humanity are back with havantepes take on the next chapter in the story. human cloning is finally achieved with the first perfect model - the prototype. >+ -< takes us on an energetic technoid ride in the evolution of this clone. >memory implant< and >gender determination< are obvious steps towards the shaping of this model, moving forward on a scientific and philosophic way accompanied by a dubby atmosphere. the future is looking bright.....for now.

one of the scenes true veterans, justin richardson aka genotype has released music over his career on a who is who of the most influential drum and bass labels including reinforced, moving shadow, renegade hardware, & of course dbridges exit records label, who released the debut genotype artist lp ritual dance in 2010. lessons in depth sounds like no one else in drum and bass right now, and truly lives up to its title fusing multiple musical elements into one deep sea musical experience. this is not a collection of instant gratification dance-floor tunes, and like all truly good music, lessons in depth is most rewarding after the listeners full immersion. don your mask and snorkel and dive in.
pressing on transparent dark green, black marbled vinyl. download code included.
dj support from dbridge, spectrasoul, doc scott, bryan g, john b, loxy, consequence, clarity, btk, hybris, c4c, ruffhouse and more.

one of the scenes true veterans, justin richardson aka genotype has released music over his career on a who is who of the most influential drum and bass labels including reinforced, moving shadow, renegade hardware, & of course dbridges exit records label, who released the debut genotype artist lp ritual dance in 2010. lessons in depth sounds like no one else in drum and bass right now, and truly lives up to its title fusing multiple musical elements into one deep sea musical experience. this is not a collection of instant gratification dance-floor tunes, and like all truly good music, lessons in depth is most rewarding after the listeners full immersion. don your mask and snorkel and dive in.
pressing on transparent dark blue, black marbled vinyl. download code included.
dj support from dbridge, spectrasoul, doc scott, bryan g, john b, loxy, consequence, clarity, btk, hybris, c4c, ruffhouse and more.